Monday, November 19, 2007

The Full Version

I remember saying some time back that people tended to chop everything down to three verses just so that they might have the bare minimum of a traditional narrative: beginning, middle and end.

And so, a grand old Christmas carol like It Came Upon The Midnight Clear normally ends up disembowelled, with only verses 1, 2 and 5 sung. You who go carolling this year, heed my advice and try to get people to sing all the verses of every carol. Or else, as was the case with Be Thou My Vision, you get only part of the whole story.

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It came upon the midnight clear,
That glorious song of old,
From angels bending near the earth,
To touch their harps of gold;
“Peace on the earth, good will to men,
From Heaven’s all-gracious King.”
The world in solemn stillness lay,
To hear the angels sing.

Still through the cloven skies they come
With peaceful wings unfurled,
And still their heavenly music floats
O’er all the weary world;
Above its sad and lowly plains,
They bend on hovering wing,
And ever over its Babel sounds
The blessèd angels sing.

Yet with the woes of sin and strife
The world has suffered long;
Beneath the angel strain have rolled
Two thousand years of wrong;
And man, at war with man, hears not
The love-song which they bring;
O hush the noise, ye men of strife
And hear the angels sing.

And ye, beneath life’s crushing load,
Whose forms are bending low,
Who toil along the climbing way
With painful steps and slow,
Look now! for glad and golden hours
Come swiftly on the wing.
O rest beside the weary road,
And hear the angels sing!

For lo! the days are hastening on,
By prophet-bards foretold,
When with the ever-circling years
Comes round the Age of Gold;
When peace shall over all the earth
Its ancient splendours fling,
And the whole world send back the song
Which now the angels sing.

Edmund Sears, 1849

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Friday, July 13, 2007

All My Hope

This morning I was seized by a sense of great joy. I am a naturally joyful person, but this was different. I felt a sudden urge to dispense with analogies and metaphors and just bow to the ineffable. In my heart I knew this: "For we see as through a glass darkly, but then we shall see face to face."

I knew this as well: We are no mere instruments of a master musician or craftsman, we were made by the Master to contribute of our own free will, to rise to the highest excellence that our nature allows. And the hope that we can achieve this is one of the great hopes of our hearts.

It was the fact that this hope existed which raised my 'joy level'. Halfway through a fairly eventful life, my game might still be raised. I might have wasted some potential somewhere, but I might still be able to turn in a few mighty performances for the One who holds me in the palm of His hand. And then suddenly, I felt like a harmonica. It was very odd, very amusing. I only know two people who treat the harmonica as a primary instrument (apart from Billy Joel, and I don't know him personally).

Here is a hymn that has been one of my favorites for thirty years or so.

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All My Hope On God Is Founded

All my hope on God is founded;
He doth still my trust renew:
  me through change and chance He guideth,
  only good and only true.
God unknown,
  He alone
  calls my heart to be His own.

Pride of man and earthly glory,
Sword and crown betray his trust:
  what with care and toil he buildeth,
  tower and temple fall to dust.
But God's power,
  hour by hour,
  is my temple and my tower.

God's great goodness aye endureth;
Deep His wisdom, passing thought:
  splendour, light and life attend Him,
  beauty springeth out of naught.
Evermore
  from his store
  newborn worlds rise and adore.

Daily doth the almighty Giver
  bounteous gifts on us bestow;
His desire our soul delighteth,
  pleasure leads us where we go.
Love doth stand
  at his hand;
  joy doth wait on his command.

Still from man to God eternal
  sacrifice of praise be done;
High above all praises praising
  for the gift of Christ, His Son.
Christ doth call
  one and all:
  ye who follow shall not fall.

Robert Bridges (1844-1930); based on the German by Joachim Neander (1650-1680)

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